The grotesque pantomime killings of Art the Clown reach new extremes with this gory Christmas addition to the Terrifier franchise.
Lovestruck Agnes is relentlessly reincarnated as Georgian aristocrat, Victorian teacher and fan of an 80s pop star as she pursues her ‘true love’ through time in Alice Lowe’s macabre comedy subversion ...
An amnesiac pieces together fragments of his life and lost love in Weightless. Italian director Sara Fgaier tells us about her ambitious use of archive footage to evoke a passing era.
Cinema founded itself in documentary, but how did the form develop an alternative visual language to that of the fiction film? Is it, as pioneer Joris Ivens claimed, “a creative no-man’s land”? From ...
Steven Eastwood and Georgia Bradburn of the Neurocultures Collective tell us about their bold experiments with an ’autistic camera’ on The Stimming Pool, and why they resisted explaining autistic ...
Burke makes a rare screen appearance in Blitz as “lovely and horrible” gang-leader Beryl. She discusses being directed by McQueen, her disinterest in awards, and being drawn to nastiness.
Short films provide a vital training ground for filmmakers, meaning funds and programmes supporting short-form cinema must strive to ensure their help has far-reaching impact.
Catherine Breillat’s Romance confronts sexual taboos and desire, explains Leslie Felperin, while Linda Ruth Williams interviews the director. From our October 1999 issue.
In the late 1940s and 50s, comedy horror was dominated by a series of films bringing Universal’s top-billing comedians Bud Abbott and Lou Costello into corny collision with various old-school ...
Winner of the Golden Shell at San Sebastian Film Festival, the Spanish auteur’s mesmerising bullfighting documentary shows the beauty and the barbarism of the controversial tradition.
Steve McQueen takes us inside his new film Blitz Inside: Sean Baker on Anora, and sex work at the movies – Pedro Almodóvar on The Room Next Door – No Other Land – The Apprentice – The Wild Robot – Jea ...
A stray bull forces grape pickers into the trees in Marta Mateus’s poetic debut feature Fire of Wind. We caught up with the director ahead of its screening at the BFI London Film Festival.